Culture/Country: Tibet
Period: c. 18th century
Medium: Copper alloy, gilding and pigment
Dimensions: 6.25 x 4.75 x 2.5 in.
Collection Title: Crow Collection of Asian Art
Accession Number: 1982.38
Culture/Country: Tibet
Period: 18th century
Medium: Bronze, gilding and pigment
Dimensions: 7.37 x 3 x 7 in.
Collection Title: Crow Collection of Asian Art
Accession Number: 1982.48
Culture/Country: Tibet
Period: c. 18th century
Medium: Bronze and gilding
Dimensions: 17.12 x 6.5 x 10.75 in.
Collection Title: Crow Collection of Asian Art
Accession Number: 1982.44
Culture/Country: Sino-Tibet
Period: c. 16th century
Medium: Bronze, gilding and pigment with turquoise and ruby insets
Dimensions: 10.12 x 5 x 7.5 in.
Collection Title: Crow Collection of Asian Art
Accession Number: 1982.43
Culture/Country: Tibet
Period: c. 18th century
Medium: Cast bronze alloy
Dimensions: 5.75 x 2.75 x 2.75 in.
Collection Title: Crow Collection of Asian Art
Accession Number: 1990.4
Tibetan Buddhism comprises the foundational teachings of Buddhism but focuses on teachings of the Vajrayana, also known as Esoteric or Tantric Buddhism. Tantric Buddhism uses meditations, visualizations, mantras, and the performance of rituals to cultivate the spiritual powers of body, speech, and mind to enable the practitioner to transform obstructions to enlightenment into the energy of its realization. A Buddha is one who has achieved complete spiritual perfection or enlightenment, and has clearly realized the true nature of all things. In general, Tibetan Buddhism considers both men and women, regardless of race or status, to be equal in their enlightenment potential and capacity for Buddha-hood.
Buddhas and bodhisattvas are often represented as embodying both male and female aspects.
Bronze, gilding and pigment, 6.25 x 4.75 x 2.5 in., Crow Collection of Asian Art
1982.38
The prominence and proliferation of female Buddhas and bodhisattvas in Tibetan sacred art has existed for centuries, long connected to pre-Buddhist Indian gods and goddesses. Many Tibetan Tantric systems have a female Buddha as their principal deity, where a male practitioner would meditate upon this female form, just as would a female practitioner meditate upon a male Buddha form, and see themselves as being both male and female simultaneously. Buddhas and bodhisattvas are often represented as embodying both male and female aspects.
This exhibition features a selection of Tibetan bronze statues from the Crow Collection of Asian Art that emphasize the many manifestations of the feminine divine in Tibetan Esoteric Buddhism, ranging from well-known forms such as benevolent bodhisattvas to fierce guardians and forest goddesses. In Buddhism, with the bliss of enlightenment, divisions and differentiations of sex and gender are ultimately illusory.
This exhibition is curated by Jacqueline Chao, Curator of Asian Art, and organized by the Crow Collection of Asian Art.