Lady Tokiwa Fleeing with Children, 1850s
Hanging scroll; ink and color on paper
Minneapolis Institute of Art, Gift of the Clark Center for Japanese Art & Culture, 2013.29.170
43 3/4 × 22 5/8 in. (111.13 × 57.47 cm) (image)
83 1/2 × 29 1/4 in. (212.09 × 74.3 cm) (mount)
Parinirvana of Sakyamuni, the Historical Buddha, 1863
Hanging scroll; ink on silk
Minneapolis Institute of Art, The Walter R. Bollinger Fund, 2002.143.2
38 5/16 x 16 15/16 in. (97.31 x 43.02 cm) (image)
68 3/4 x 22 13/16 in. (174.63 x 57.94 cm) (without roller)
Seven Gods of Good Fortune, 1920s
Hanging scroll; ink and color on silk
Minneapolis Institute of Art, Gift of the Clark Center for Japanese Art & Culture, 2013.29.56
48 13/16 × 19 3/16 in. (123.98 × 48.74 cm) (image)
80 1/2 × 24 11/16 in. (204.47 × 62.71 cm) (mount, without roller)
Gonchūnagon Sadayori from the series One Hundred Poems by One Hundred Poets
(Hyakunin Isshu no uchi: Gonchūnagon Sadayori)
Edo period (1603 – 1868); ca. 1842
Woodblock print; ink and color on paper
Private Collection, Cambridge, Massachusetts
“Nakamura Daikichi III as Tokihime, Ichikawa Sukejūrō as Sasaki Takatsuna, Arashi Rikaku II as Miuranosuke,” from the play Kamakura Sandaiki
(Edo period 1603 – 1868); 1849
Woodblock print triptych of the chūban size; ink and color on paper
Private Collection, Cambridge, Massachusetts
Woodblock prints were produced by a collaborative process between a publisher, artist, woodcutter, and printer during the Edo period and into the Meiji era (1868-1912).
Regal courtiers, lively townspeople, tragic heroines, and virtuous deities, are presented in exquisite form in this exhibition featuring figures in Japanese art. Styled with Poise: Figures in Japanese Paintings and Prints displays art from the Edo period (1603–1868), when a wide range of painting styles and significant developments in woodblock printmaking made visual art accessible to many in Japan. Figures in hanging scrolls and screens helped adorn residences, especially in the larger metropolitan areas such as in Kyoto, Osaka, and Edo (current-day Tokyo), during a time when interior decorations were still sparse.
While religious scrolls with important Buddhist figures for worship such as Amida Buddha and other bodhisattva, hung in temple halls, depictions of people engaged in daily activities, and other popular subjects were enjoyed in the homes of wealthier townsmen. Historical figures were often heralded as upholding the ideals of the past and even ghosts – or figures who met unfortunate or untimely deaths – came to be depicted in painted form.
Woodblock prints were produced by a collaborative process between a publisher, artist, woodcutter, and printer during the Edo period and into the Meiji era (1868-1912).
Woodblock print production reached its zenith by around 1900 in terms of both artistry and production. Prints delighted the commoners since they could acquire a memento of their travels, a portrait of a favorite kabuki actor, or perhaps a portrait of a beautiful woman. Just as we gaze at celebrities in magazines and posters, the residents of Edo could do the same with their woodblock prints of kabuki actors.
Woodblock prints were produced by a collaborative process between a publisher, artist, woodcutter, and printer during the Edo period and into the Meiji era (1868-1912). They were discovered in the West as early as the late nineteenth century in France, when they were found as packing materials for tea from China and Japan. They continue to be popular items for collectors today.
This exhibition draws together a variety of paintings and printed works to explore these many types of figures and figural representation in Japanese art, and will feature unique works from the Minneapolis Institute of Art, and from private collections in Boston and Dallas.
Styled with Poise: Figures in Japanese Paintings and Prints will be on view from July 8, 2017-January 7, 2018 in Gallery I.
Save the date for the Members’ Reception on Thursday, September 14, 2017, from 6:00 pm – 8:00 pm celebrating Styled with Poise: Figures in Japanese Paintings and Prints. If you are a member and would like to rsvp, please email rsvp@crowcollection.org. If you are not a member and would like to learn more about becoming a member, visit our support page.
Presented by ORIX Americas Miyauchi Charitable Foundation.
